Hey guys, this is my jam.
The Werewandas- Dig My Grave
Make Games: How to Tell When You Gave Artists Too Much Control Over Design
A half hour into Earthworm Jim on SNES, and three things became painfully clear to Andy (Hull) and me: 1. wow, Earthworm Jim is a worse game than we remembered, 2. Earthworm Jim was designed by visual artists with little experience in game design, and 3. modern studios haven’t learned from…
What does David Shrigley do all day?
I have a big fancy drawing board and I sit in front of that and draw. I start off working for the sake of working, almost randomly. I just draw and write things down just for the sake of it, and it’s not until several hours later that these things start to make sense. I make a large number of drawings and discard around 75 per cent. If I’m working hard I might do 30 or 40 drawings in a day. They’re all completely different. I only do anything once. That’s the rules. I always work on a standard paper size. The drawings I’ve done for the Hayward Gallery show are quite big, acrylic on paper. I could only do 15 of those in a day. I could make about 50 of the smaller ones if I’m working really hard and really late.
I usually write a list of things to draw – a big, long list. If I want to make 50 works there are 50 things to draw. I write a list sometimes weeks before. I just look through books, the internet and just write something down. The starting point is usually ‘man being mauled by a lion’ or something. Sometimes I won’t draw it literally or it’s a text thing but that’s it started. I can fill 50 sheets of paper and once they’re done I’ll go back and add some images to text or text to image. It’s quite a regimented way to work. Sometimes the lion becomes a dog or a horse. ‘Man being mauled by a horse!’ The simple thing I’ve learned over the years is just to have a starting point and once you have a starting point the work seems to make itself.
Emphasis mine. Filed under: routine, David Shrigley
